A collection of images from Siren's show 'Curfew'.
1. This shows a photo of Jane Boston as Charlene and Tasha Fairbanks as Tracey in ‘Curfew’.
2. This shows a photo of Jude Winter and Tasha Fairbanks in ‘Curfew’.
3. This shows a photo of Jude Winter, Tasha Fairbanks and Jane Boston in ‘Curfew’.
A collection of images from Siren's show 'From the Divine'.
1. This shows a photo of Tasha Fairbanks as Harry, together with the ventriloquist’s dummy, also called Harry. Tasha learnt ventriloquism from a book she took out of the library, leading up to the show. In most of the plays, it was mainly Tasha who cross-dressed to take the male parts.
2. This shows two photos from the contact sheet of photos of “From the Divine’. The first is of Jude Winter as Lily dancing with Tasha Fairbanks as Harry. The second is of Jane Boston as Ruby, with Tasha Fairbanks and Jude Winter. Although Siren always requested the return of their photos, this often did not happen, leaving the company without the original prints, hence the use of the contact sheet to show some of the images.
3. This shows a photo from the contact sheet of photos of ‘From the Divine’. It is over Jude Winter as Lily the ‘sweet good girl,’ dancing to the music of Jane Boston as Ruby, the ‘naughty bad girl’, as women were often portrayed during the war. Siren began embracing glamour for this play, leaving behind much of the agitprop look of the earlier shows.
A collection of images from Siren's play 'Hotel Destiny'.
1. This shows a photo of Jane Boston as ‘Blame’.
2. The photos show Siren members Jude Winter and Hilary Ramsden on-stage and off-stage. Both Hilary and Jude were prone to ‘corpsing’ on stage and off stage, enjoying each other’s performance rather too much! (Colour photo taken by unknown photographer).
3. This shows the full cast of ‘Hotel Destiny; Tash Fairbanks as Chance, Hilary Ramsden as Miss Evans, Jude Winter as Rough and Jane Boston as Blame.
4. This shows Jane Boston as Blame and Tash Fairbanks as Chance.
A collection of images from Siren's show 'Mama's Gone A'Hunting'.
1. This shows a photo of one of the first performances of Mama’s Gone A’Hunting, with Jane Boston, Jude Winter and Tash Fairbanks. Taken by Susy Taylor.
2. This shows a photo of Jude Winter, Jane Boston and Tash Fairbanks in Mama’s Gone A-Hunting. Taken by Dianne Ceresa.
3. This shows a photo of Jude Winter and Tash Fairbanks in Mama’s Gone A-Hunting. Taken by Dianne Ceresa.
4. This shows a photo of Tash Fairbanks in the foreground as Man, and Jane Boston behind her, as the Judge. Taken by Dianne Ceresa.
5. This is one of the few colour photos of Mama’s Gone A’Hunting, showing Jude Winter, Tash Fairbanks and Jane Boston, together with a life-size dummy of a man. Taken by Susy Taylor.
A collection of images from Siren's show 'Now Wash Your Hands Please'.
1. This shows a photo for ‘Now Wash Your Hands Please’. Pictured from left to right Jude Winter as P.R, Hilary Ramsden as Phyllis, and Tasha Fairbanks as Polly.
2. This shows a photo of Jude Winter as P.R and Tasha Fairbanks as Bert, dressed in a train conductor's uniform.
3. This shows a photo of Jude Winter as P.R. and Tash Fairbanks as Bert in a train conductor's uniform, wrapped in toilet roll.
A collection of images from Siren's show 'Pulp'.
1. This shows a photo of Hilary Ramsden as Kay in ‘Pulp”.
2. This shows a photo of Jane Boston as Magda and Jude Winter as Heddy in ‘Pulp’.
3. This shows a photo of the full cast of ‘Pulp’; Jude Winter as Heddy, Jane Boston as Magda, Hilary Ramsden as Kay, Tashha Fairbanks as Dolores.
A collection of images from Siren's show 'Swamp'.
1. This shows a photo of Hilary Ramsden, Jude Winter and Jane Boston in ‘Swamp’.
2. This is a photo of Hilary Ramsden, Jane Boston and Jude Winter from ‘Swamp’.
A collection of images of Deb Trethewey performing with Siren as a band.
1. This shows the photo of Deb Trethewey that was used on the rear of the vinyl album, ‘Siren Plays’. Taken by Deb Shorrocks.
2. This shows a photo of Deb Trethewey playing in Siren band. Photographer unknown.
3. This shows a photo of Deb Trethewey in a recording studio recording for the album ‘Siren Plays’. Photographer unknown.
A collection of images of Jane Boston performing with Siren as a band.
1. This shows the photo of Jane Boston that was used on the rear of the vinyl album, ‘Siren Plays’.
2. This shows a photo of Jane Boston playing in Siren band.
This shows Siren loading up the van after a performance of ‘Mama’s Gone a-Hunting’, still wearing their costumes. Often, after a performance, the get-out had to be very fast, with no time to change. This was an outdoors, daytime performance.
A brochure of queer cultural events taking place from February 2014 - April 2014 in venues across Brighton & Hove supported by Arts Council England and Brighton & Hove City Council.
The programme features:
New Ways of Living by acclaimed choreographer Gary Clarke
The Tammy Show by Lois Weaver from legendary lesbian theatre company Split Britches
Women's House by Sh!t Theatre
If You Want Bigger Yorkshire Puddings You Need A Bigger Tin by Lucy Hutson
We Object by Figs in Wigs
Ruff by Peggy Shaw / Split Britches
Women's Day Spectacular co produced with Traumfrau
Quit Playing With Yourself featuring new work from Ginger Johnson and Jo Bannon
Hurt Me by David Hoyle
Performr a new digital commission from Marlborough Productions
Pop Ahoy! article
Argus supplement I think - this would be from 2006.
Article by David McNamee
The photo in the article is by Toby Amies from 2002, and was taken at Lighthouse Studios on Middle Street in Brighton
Pride 1992 was organised by a short-lived committee: Pink Parasol. The cheque stubs show its first and last payments, just a year apart. Wisely, Pink Parasol decided to register as a limited company, thus protecting its members from being held personally liable for the debts that remained after the Pride event was over.
Pink Parasol was an attempt to broaden the appeal of Pride beyond the radical activists (including me) who had organised the first Pride weekend in 1991. It included some business people and, if I recall correctly, someone from the Metropolitan Community Church. But the commercial gay scene never really got involved and didn’t invest any substantial funds into the event.
The committee also included some people with big ideas and grand plans. More and more attractions were booked for the march’s arrival in Preston Park – a stage, a funfair, numerous food and drink vendors, even fireworks! Tragically, we had gambled that the crowd would be bigger, and would spend more freely, than proved to be the case on the day.
As treasurer, already aware of how badly things were heading into the red, I spent the afternoon attempting to extract the promised fees from disgruntled stallholders. As the day ended with a moving performance from Labi Siffre and a spectacular firework display, I remember feeling decidedly sick with dread.
Somehow, all the big ideas people melted away and it was left to me and one other woman to close down the company and sign all the letters to our creditors explaining that we could only pay them 15% of what we owed them. Just as Pride was getting started, this was a major setback. But we picked up the pieces and moved on.
These chequebooks are deposited at The Keep (East Sussex and Brighton and Hove Record Office), as part of the Ourstory archive (Papers of Dani Ahrens, OUR 37/1/2).